A riveting history of the city that led the West out of the ruins of the Roman Empire At the end of the fourth century, as the power of Rome faded and Constantinople became the seat of empire, a new capital city was rising in the West. Here, in Ravenna on the coast of Italy, Arian Goths and Catholic Romans competed to produce an unrivaled concentration of buildings and astonishing mosaics. For three centuries, the city attracted scholars, lawyers, craftsmen, and religious luminaries, becoming a true cultural and political capital. Bringing this extraordinary history marvelously to life, Judith Herrin rewrites the history of East and West in the Mediterranean world before the rise of Islam and shows how, thanks to Byzantine influence, Ravenna played a crucial role in the development of medieval Christendom. Drawing on deep, original research, Herrin tells the personal stories of Ravenna while setting them in a sweeping synthesis of Mediterranean and Christian history. She narrates the lives of the Empress Galla Placidia and the Gothic king Theoderic and describes the achievements of an amazing cosmographer and a doctor who revived Greek medical knowledge in Italy, demolishing the idea that the West just descended into the medieval "Dark Ages." Beautifully illustrated and drawing on the latest archaeological findings, this monumental book provides a bold new interpretation of Ravenna's lasting influence on the culture of Europe and the West.

This volume of studies explores a particularly complex period in Byzantine history, the thirteenth century, from the Fourth Crusade to the recapture of Constantinople by exiled leaders from Nicaea. During this time there was no Greek state based on Constantinople and so no Byzantine Empire by traditional definition. Instead, a Venetian/Frankish alliance ruled from the capital, while many smaller states also claimed the mantle of Byzantium. Even after 1261 when the Latin Empire of Constantinople was replaced by a restored Greek state, political fragmentation persisted. This fragmentation makes the study of individuals more difficult but also more valuable than ever before, and this volume demonstrates the very considerable advances in historical understanding that may be gained from prosopographical approaches. Specialist historians of the Byzantine successor states of the period, and of their most important neighbours, here examine the self-projection and interactions of these states, combining military history and diplomacy, commercial and theological contacts, and the experiences and self-description of individuals. This wide-ranging series of articles uses a great diversity of sources - Arabic, Armenian, Bulgarian, Greek, Latin, Persian and Serbian - to exploit the potential of the novel methodology employed and of prosopography as an additional historical tool of analysis.

This volume of studies explores a particularly complex period in Byzantine history, the thirteenth century, from the Fourth Crusade to the recapture of Constantinople by exiled leaders from Nicaea. During this time there was no Greek state based on Constantinople and so no Byzantine Empire by traditional definition. Instead, a Venetian/Frankish alliance ruled from the capital, while many smaller states also claimed the mantle of Byzantium. Even after 1261 when the Latin Empire of Constantinople was replaced by a restored Greek state, political fragmentation persisted. This fragmentation makes the study of individuals more difficult but also more valuable than ever before, and this volume demonstrates the very considerable advances in historical understanding that may be gained from prosopographical approaches. Specialist historians of the Byzantine successor states of the period, and of their most important neighbours, here examine the self-projection and interactions of these states, combining military history and diplomacy, commercial and theological contacts, and the experiences and self-description of individuals. This wide-ranging series of articles uses a great diversity of sources - Arabic, Armenian, Bulgarian, Greek, Latin, Persian and Serbian - to exploit the potential of the novel methodology employed and of prosopography as an additional historical tool of analysis.

Byzantium. The name evokes grandeur and exoticism--gold, cunning, and complexity. In this unique book, Judith Herrin unveils the riches of a quite different civilization. Avoiding a standard chronological account of the Byzantine Empire's millennium--long history, she identifies the fundamental questions about Byzantium--what it was, and what special significance it holds for us today.

Bringing the latest scholarship to a general audience in accessible prose, Herrin focuses each short chapter around a representative theme, event, monument, or historical figure, and examines it within the full sweep of Byzantine history--from the foundation of Constantinople, the magnificent capital city built by Constantine the Great, to its capture by the Ottoman Turks.

She argues that Byzantium's crucial role as the eastern defender of Christendom against Muslim expansion during the early Middle Ages made Europe--and the modern Western world--possible. Herrin captivates us with her discussions of all facets of Byzantine culture and society. She walks us through the complex ceremonies of the imperial court. She describes the transcendent beauty and power of the church of Hagia Sophia, as well as chariot races, monastic spirituality, diplomacy, and literature. She reveals the fascinating worlds of military usurpers and ascetics, eunuchs and courtesans, and artisans who fashioned the silks, icons, ivories, and mosaics so readily associated with Byzantine art.

An innovative history written by one of our foremost scholars, "Byzantium" reveals this great civilization's rise to military and cultural supremacy, its spectacular destruction by the Fourth Crusade, and its revival and final conquest in 1453.

A groundbreaking history of how the Christian "West" emerged from the ancient Mediterranean world In this acclaimed history of Early Christendom, Judith Herrin shows how-from the sack of Rome in 410 to the coronation of Charlemagne in 800-the Christian "West" grew out of an ancient Mediterranean world divided between the Roman west, the Byzantine east, and the Muslim south. Demonstrating that religion was the period's defining force, she reveals how the clash over graven images, banned by Islam, both provoked iconoclasm in Constantinople and generated a distinct western commitment to Christian pictorial narrative. In a new preface, Herrin discusses the book's origins, reception, and influence.

Personification, the anthropomorphic representation of any non-human thing, is a ubiquitous feature of ancient Greek literature and art. Natural phenomena (earth, sky, rivers), places (cities, countries), divisions of time (seasons, months, a lifetime), states of the body (health, sleep, death), emotions (love, envy, fear), and political concepts (victory, democracy, war) all appear in human, usually female, form. Some have only fleeting incarnations, others become widely-recognised figures, and others again became so firmly established as deities in the imagination of the community that they received elements of cult associated with the Olympian gods. Though often seen as a feature of the Hellenistic period, personifications can be found in literature, art and cult from the Archaic period onwards; with the development of the art of allegory in the Hellenistic period, they came to acquire more 'intellectual' overtones; the use of allegory as an interpretative tool then enabled personifications to survive the advent of Christianity, to remain familiar figures in the art and literature of Late Antiquity and beyond. The twenty-one papers presented here cover personification in Greek literature, art and religion from its pre-Homeric origins to the Byzantine period. Classical Athens features prominently, but other areas of both mainland Greece and the Greek East are well represented. Issues which come under discussion include: problems of identification and definition; the question of gender; the status of personifications in relation to the gods; the significance of personification as a literary device; the uses and meanings of personification in different visual media; personification as a means of articulating place, time and worldly power. The papers reflect the enormous range of contexts in which personification occurs, indicating the ubiquity of the phenomenon in the ancient Greek world.

'Magisterial - an outstanding book that shines a bright light one of the most important, interesting and under-studied cities in European history. A masterpiece.' Peter Frankopan 'A wonderful new history of the Mediterranean from the fifth to eighth centuries through a lens focussed on Ravenna, gracefully and clearly written, which reconceptualises what was 'East' and what was 'West'.' Caroline Goodson 'A masterwork by one of our greatest historians of Byzantium and early Christianity. Judith Herrin tells a story that is at once gripping and authoritative and full of wonderful detail about every element in the life of Ravenna. Impossible to put down.' David Freedberg In 402 AD, after invading tribes broke through the Alpine frontiers of Italy and threatened the imperial government in Milan, the young Emperor Honorius made the momentous decision to move his capital to a small, easy defendable city in the Po estuary - Ravenna. From then until 751 AD, Ravenna was first the capital of the Western Roman Empire, then that of the immense kingdom of Theoderic the Goth and finally the centre of Byzantine power in Italy. In this engrossing account Judith Herrin explains how scholars, lawyers, doctors, craftsmen, cosmologists and religious luminaries were drawn to Ravenna where they created a cultural and political capital that dominated northern Italy and the Adriatic. As she traces the lives of Ravenna's rulers, chroniclers and inhabitants, Herrin shows how the city became the pivot between East and West; and the meeting place of Greek, Latin, Christian and barbarian cultures. The book offers a fresh account of the waning of Rome, the Gothic and Lombard invasions, the rise of Islam and the devastating divisions within Christianity. It argues that the fifth to eighth centuries should not be perceived as a time of decline from antiquity but rather, thanks to Byzantium, as one of great creativity - the period of 'Early Christendom'. These were the formative centuries of Europe. While Ravenna's palaces have crumbled, its churches have survived. In them, Catholic Romans and Arian Goths competed to produce an unrivalled concentration of spectacular mosaics, many of which still astonish visitors today. Beautifully illustrated with specially commissioned photographs, and drawing on the latest archaeological and documentary discoveries, Ravenna: Capital of Empire, Crucible of Europe brings the early Middle Ages to life through the history of this dazzling city.

For a thousand years an extraordinary empire made possible Europe's transition to the modern world: Byzantium. An audacious and resilient but now little known society, it combined orthodox Christianity with paganism, classical Greek learning with Roman power, to produce a great and creative civilization which for centuries held in check the armies of Islam. Judith Herrin's concise and compelling book replaces the standard chronological approach of most histories of Byzantium. Instead, each short chapter is focused on a theme, such as a building (the great church of Hagia Sophia), a clash over religion (iconoclasm), sex and power (the role of eunuchs), an outstanding Byzantine individual (the historian Anna Komnene), a symbol of civilization (the fork), and a battle for territory (the crusades). In this way she makes accessible and understandable the grand sweeps of Byzantine history, from the founding of its magnificent capital Constantinople (modern Istanbul) in 330, to its fall to the Ottoman Turks in 1453.

This volume explores the political, cultural, and ecclesiastical forces that linked the metropolis of Byzantium to the margins of its far-flung empire. Focusing on the provincial region of Hellas and Peloponnesos in central and southern Greece, Judith Herrin shows how the prestige of Constantinople was reflected in the military, civilian, and ecclesiastical officials sent out to govern the provinces. She evokes the ideology and culture of the center by examining different aspects of the imperial court, including diplomacy, ceremony, intellectual life, and relations with the church. Particular topics treat the transmission of mathematical manuscripts, the burning of offensive material, and the church's role in distributing philanthropy.

Herrin contrasts life in the capital with provincial life, tracing the adaptation of a largely rural population to rule by Constantinople from the early medieval period onward. The letters of Michael Choniates, archbishop of Athens from 1182 to 1205, offer a detailed account of how this highly educated cleric coped with life in an imperial backwater, and demonstrate a synthesis of ancient Greek culture and medieval Christianity that was characteristic of the Byzantine elite.

This collection of essays spans the entirety of Herrin's influential career and draws together a significant body of scholarship on problems of empire. It features a general introduction, two previously unpublished essays, and a concise introduction to each essay that describes how it came to be written and how it fits into her broader analysis of the unusual brilliance and longevity of Byzantium.

In 726 the Byzantine emperor, Leo III, issued an edict that all religious images in the empire were to be destroyed, a directive that was later endorsed by a synod of the Church in 753 under his son, Constantine V. If the policy of Iconoclasm had succeeded, the entire history of Christian art--and of the Christian church, at least in the East--would have been altered.

Iconoclasm was defeated--by Byzantine politics, by popular revolts, by monastic piety, and, most fundamentally of all, by theology, just as it had been theology that the opponents of images had used to justify their actions. Analyzing an intriguing chapter in the history of ideas, the renowned scholar Jaroslav Pelikan shows how a faith that began by attacking the worship of images ended first in permitting and then in commanding it.

Pelikan charts the theological defense of icons during the Iconoclastic controversies of the eighth and ninth centuries, whose high point came in A.D. 787, when the Second Council of Nicaea restored the cult of images in the church. He demonstrates how the dogmas of the Trinity and the Incarnation eventually provided the basic rationale for images: because the invisible God had become human and therefore personally visible in Jesus Christ, it became permissible to make images of that Image. And because not only the human nature of Christ, but that of his Mother had been transformed by the Incarnation, she, too, could be "iconized," together with all the other saints and angels.

The iconographic "text" of the book is provided by one of the very few surviving icons from the period before Iconoclasm, the Egyptian tapestry Icon of the Virgin now in the Cleveland Museum of Art. Other icons serve to illustrate the theological argument, just as the theological argument serves to explain the icons.

In a new foreword, Judith Herrin discusses the enduring importance of the book, provides a brief biography of Pelikan, and discusses how later scholars have built on his work.

Unrivalled Influence explores the exceptional roles that women played in the vibrant cultural and political life of medieval Byzantium. Written by one of the world's foremost historians of the Byzantine millennium, this landmark book evokes the complex and exotic world of Byzantium's women, from empresses and saints to uneducated rural widows. Drawing on a diverse range of sources, Judith Herrin sheds light on the importance of marriage in imperial statecraft, the tense coexistence of empresses in the imperial court, and the critical relationships of mothers and daughters. She looks at women's interactions with eunuchs, the in-between gender in Byzantine society, and shows how women defended their rights to hold land. Herrin describes how they controlled their inheritances, participated in urban crowds demanding the dismissal of corrupt officials, followed the processions of holy icons and relics, and marked religious feasts with liturgical celebrations, market activity, and holiday pleasures. The vivid portraits that emerge here reveal how women exerted an unrivalled influence on the patriarchal society of Byzantium, and remained active participants in the many changes that occurred throughout the empire's millennial history. Unrivalled Influence brings together Herrin's finest essays on women and gender written throughout the long span of her esteemed career. This volume includes three new essays published here for the very first time and a new general introduction by Herrin. She also provides a concise introduction to each essay that describes how it came to be written and how it fits into her broader views about women and Byzantium.

This volume explores the political, cultural, and ecclesiastical forces that linked the metropolis of Byzantium to the margins of its far-flung empire. Focusing on the provincial region of Hellas and Peloponnesos in central and southern Greece, Judith Herrin shows how the prestige of Constantinople was reflected in the military, civilian, and ecclesiastical officials sent out to govern the provinces. She evokes the ideology and culture of the center by examining different aspects of the imperial court, including diplomacy, ceremony, intellectual life, and relations with the church. Particular topics treat the transmission of mathematical manuscripts, the burning of offensive material, and the church's role in distributing philanthropy. Herrin contrasts life in the capital with provincial life, tracing the adaptation of a largely rural population to rule by Constantinople from the early medieval period onward. The letters of Michael Choniates, archbishop of Athens from 1182 to 1205, offer a detailed account of how this highly educated cleric coped with life in an imperial backwater, and demonstrate a synthesis of ancient Greek culture and medieval Christianity that was characteristic of the Byzantine elite. This collection of essays spans the entirety of Herrin's influential career and draws together a significant body of scholarship on problems of empire. It features a general introduction, two previously unpublished essays, and a concise introduction to each essay that describes how it came to be written and how it fits into her broader analysis of the unusual brilliance and longevity of Byzantium.

In the eighth and ninth centuries, three Byzantine empresses--Irene, Euphrosyne, and Theodora--changed history. Their combined efforts restored the veneration of icons, saving Byzantium from a purely symbolic and decorative art and ensuring its influence for centuries to come.

In this exhilarating and highly entertaining account, one of the foremost historians of the medieval period tells the story of how these fascinating women exercised imperial sovereignty with consummate skill and sometimes ruthless tactics. Though they gained access to the all-pervasive authority of the Byzantine ruling dynasty through marriage, all three continued to wear the imperial purple and wield tremendous power as widows. From Constantinople, their own Queen City, the empresses undermined competitors and governed like men. They conducted diplomacy across the known world, negotiating with the likes of Charlemagne, Roman popes, and the great Arab caliph Harun al Rashid.

Vehemently rejecting the ban on holy images instituted by their male relatives, Irene and Theodora used craft and power to reverse the official iconoclasm and restore icons to their place of adoration in the Eastern Church. In so doing, they profoundly altered the course of history. The art--and not only the art--of Byzantium, of Islam, and of the West would have been very different without them.

As Judith Herrin traces the surviving evidence, she evokes the complex and deeply religious world of Constantinople in the aftermath of Arab conquest. She brings to life its monuments and palaces, its court ceremonies and rituals, the role of eunuchs (the "third sex"), bride shows, and the influence of warring monks and patriarchs. Based on new research and written for a general audience, "Women in Purple" reshapes our understanding of an empire that lasted a thousand years and splashes fresh light on the relationship of women to power.